Clear Nights. Brite Lites.

Coming in 2022

Singles:

1. Let's Go To Newfoundland (May 28, 2021)

2. Fallow (In This Deep) (July 16, 2021)

3. Every Intention (December 28, 2021)

Full track listing coming soon.

The Legend of Bent Roads Tavern

 Volume 1

Released: March 1, 2020 - Snow Monster Records

With the exception of “Sweet Mirona”, all of these songs were recorded live off the floor between midnight and 6 am on a rainy March night in 2003 on campus after our last performance with the original seven-piece line up (the UBC Basement Session). "Sweet Mirona" was a b-side on the recording session, but the recording quality was too poor to restore. When news of Christian Stokkmo’s passing travelled around the world in November 2019, the remaining surviving members re-recorded Christian’s ode to simplicity and solitude, Sweet Mirona, with all the musicians coming together to record remotely in tribute to Christian’s legacy. The artwork for Volume 1 is Christian’s original creation in felt-marker depicting the Midnight Sun lighting the path to the Bent Roads Tavern. Fan favourites, The Lean, Let’s Go to Newfoundland, and Backwards round out the volume. Freedom Toast offered an instrumental interlude to bridge between volumes.

Volume 2

Released: March 1, 2020 - Snow Monster Records.

All four tracks on this volume are from the UBC Basement Session in 2003 (read Volume 1). The volume features three of BRT’s fan favourites, including the runaway’s lament, “Long Way From Toronto”. Next is legendary songsmith, Christian Stokkmo’s, peppy, satirical, and the world’s only known “protest-waltz” song “You Can’t Dance a Waltz That Ends in 4/4 Time”. Then comes Stokkmo’s UBC Campus anthem, “Wreck Beach Summers,” painting a vivid picture of finding community and serenity on Canada’s most famous beach. The volume closes with a brief instrumental track, “Steeples and Turntables (I)” recorded for an indie film soundtrack.

Volume 3

Released: August 31, 2020 - Snow Monster Records

Volume 3 is the final collection of UBC Basement Session songs. Opening with the expansive and darkly atmospheric Clear Night for Lite Brite, this song became emblematic of BRT in its premiere run in Vancouver. Following that, BRT’s most infamous song - political, derisive, controversial, but delivered with a folksy spring in its step, “Carnivores at the Supermarket”. Tracks “Model Airplane and Brown the Tiger” established BRT as a Canadiana jam band. Check out the ripping saxophone solo in “Better Things”, and the coming-of-age protest-folk track “The Day I Became My Father.

Volume 4

Released: August 31, 2020 - Snow Monster Records

All of the tracks on Volume 4 were recorded in the years while BRT was on indefinite hiatus. Although songs like “Steeples and Turntables (III)”, “Tonight We Hit Calgary” and “Sweet Mirona” were all written with the original seven-piece line-up, they were re-arranged and re-recorded later. The Bestest Show offers a window into a band in turnmoil when Collen left Vancouver in 2003, and songs like “Pick & Choose” and “I Won’t Be Scared Tonight” are songs of redemption and recovery. A cover of Sigur Ros’ “Hoppipola” was recorded by Collen and Graham in 2010 as the ceremony music for Collen’s wedding that summer.

  • The Bestest Show 
  • Steeples and Turntables (III) 
  • Pick & Choose 
  • Tonight We Hit Calgary 
  • I Won't Be Scared Tonight 
  • Hoppipola (Sigur Ros Cover) 
  • Sweet Mirona (BiqSa Remix) 

Volume 5

Released: November 6, 2020 - Snow Monster Records

Volume 5 covers the period between Collen's departure from Vancouver and the collective's continuance before its long hiatus. The songs on this volume were written by BRT frontman, Jim Riecken, between 2004 and 2007. A throw-back to Christian Stokkmo is included to bridge between Jim's pop-folk melodies and two introspective instrumental tracks written by Collen, Marble Mountain Beck and Athabascan Lament, when Collen was living away from the band in northern Alberta.

Volume 1

Volume 1

Volume 2

Volume 2

Volume 3 & 4

Volume 3 & 4

 

    Volume 5

    Volume 5